Undercover Life

a-maskAt the last minute, I decided to attend the Sisters in Crime* meeting, and as soon as I arrived I grew testy. Not only did I have to cram into a table with eight other people, but I kept knocking elbows with the woman next to me, who whiffed an awful lot like she’d been drinking white wine for hours already.

I was just crabby is all. I didn’t mean to be. Really, I didn’t. Yet, I couldn’t help feeling gypped because the restaurant only served enough potstickers for one each, and then disgruntled because the garlic eggplant had been cooked to the consistency of worms.

I’m glad to say that all was not lost. I perked up as soon as the undercover cops began their talk. I’d never thought about undercover cops as role players–the ultimate role players. These guys have gotta know their stuff. They study everything about, say, the drug biz. If a cop plays the role of a drug buyer, he knows the four kinds of cocaine, and that the brownish-looking powder was processed with diesel rather than ether, making it the lowest grade cocaine and only worthy of freebasing. They have to assume benign, trustworthy, and honest businessmen facades when meeting up with drug suppliers. These guys know how to don their masks.

Besides knowing the drug business, the best undercovers are quick-witted and have the gift of the gab. Talk about the world’s worst career for me. At the first sign of the unexpected, my tongue would stick to the roof of my mouth. I’d start stuttering, and my darned Irish skin would turn red and blotchy.

Yet, it occurred to me while I was driving home that I do pretty well as an undercover Lisa. For example, no one at the meeting knew I was testy. I gabbed with the wine drinker and smiled every time she touched my arm or thigh with over-familiar bonhomie. I introduced myself to the writers on my other side and answered their questions about what I write. When I fell silent (as I often did), I maintained a benignly pleasant expression.

I’m telling you, if I were the undercover cop and my table mates the drug suppliers, they’d have been vying to sell me their crappy cocaine. I swear. That’s how good I was.

*P.S. For those who don’t know, Sisters in Crime is an association of female crime writers. The monthly meetings feature cool speakers.

The Resurrection Season

The first daffodils
The first daffodils

Wow, this is a strange feeling. Me sitting before a blank WordPress page, attempting a resurrection of sorts. My life as a blogger went down hill around 2009, when I hit the skids with my fiction and my livelihood and my attitude. The blog archive tells a sad story of a blogger who had spurts of activity in 2010, 2011, and 2012, only to fizzle out repeatedly.

Shite happens, most definitely.

I watch my mom grow dim with dementia. I work a day-job that pays the bills and provides health benefits, but doesn’t fulfill me. I plug away too slowly at my fiction, trying to rally my optimism and faith back to their pre-economic-downturn heights.

But it’s spring, right? The first daffodils are blooming, and a Northern flicker returned to tippity-tap against the wall outside my bedroom. The cat carouses outside all night, and the dog takes her time sniffing every new leaf and blade of grass.

Best of all, even though I knew we were still in for crap-cold and dismally wet weather, there was that one evening last week when the air smelled green and my skin tasted warmth. I breathed, and breathed again.

Spring like a soul’s sigh.

It may be that the long winter of my discontent is lifting. Or maybe not. Not sure. Never am sure.

The daffodils are blooming, and I’m writing this blog post. That’s all that matters.

Author Ann Littlewood’s Advice on Fear

After Ann’s book party, a bunch of us local writers (including Ann) convened for literary libations.

I’m going through, let’s call it, a phase with my writing. I call it my fear phase. It’s not writer’s block. Writer’s block I could handle. Last week I read the perfect explanation for my funkitude on Nova Ren Suma’s blog. As quoted from her guest blogger, debuting YA novelist Meagan Spooner: But sometimes the fear is all too possible—what if I send this out and it gets rejected, and the experience is so terrible that it kills my love of writing? What if by trying to reach for this dream, I destroy it?

I’ve been getting rejected for years, right? Right. Handling rejection is a job requirement for writers. Somehow, though, the agent rejections of the past year have been breathtaking, spectacular, crushing. Perhaps my ego isn’t as strong as it used to be — I don’t know — but it feels like something has withered. Picture a dessicated corpse, a tender fledgling that crash-landed during its maiden voyage from the nest. That’s why the quote above caught my attention: I’ve been grasping so hard that I fear I’ve destroyed my writing dream.

Last weekend I was pondering this fear crap as I drove to author Ann Littlewood’s book launch. She’s touring with the third novel in her zoo-dunnit mystery series. It’s called ENDANGERED. If you’re an animal lover and you care about conservancy, check out her books. Even if animals aren’t your thing, check out her books because you’ll dig her zoo-keeper protagonist, Iris. She’s just the right amount of feisty without being annoying.

I had a chance to ask Ann about fear, and here’s what she had to say:

Winston Churchill defined success as “the ability to go from one failure to another with no loss of enthusiasm.” That’s hard to pull off. Failure is debilitating, sucking out energy and leaving nothing much behind. But it can be thwarted if you see the possibility of non-success. Here’s some strategies I’ve used, with varying results.

1. Acknowledge that only a certain percentage of new ventures will succeed, whether they are possible friendships, sales calls, new plants in the garden, or whatever. And that’s OK. To paraphrase what a friend once said, “Of course I fail more than other people. I do more than other people.”  This leads to ….

2. Have more than one growth point to your life. If one wilts, focus on another for awhile. Then maybe come back to the first with renewed energy. And…

3. Have the next step in mind. If this round of agents all reject the manuscript, my next step will be to…write a different book, try short stories, submit directly to publishers, self-publish, and so on. Always know what you will do next if the current strategy does not pan out.

I was one of the last to leave…:-)

4. Look for benefits that you weren’t expecting, that aren’t your primary goal, and savor them. Met new people? Learned something interesting? Had to try something scary and felt good about that?

This stuff isn’t easy. It takes all your self-knowledge and self-discipline to decide whether and how to stay in the game. The alternative of inaction and depression is, however, not the least appealing.

As for publishing, my take on it is that success requires a good manuscript, a ton of persistence, and a surprising amount of luck–a big random factor. The longer you stand out in the field, the better the chance that lightening will strike you. (And I really need to come up with a less  lethal metaphor!)

I’ll take some of that lightening, please. Thanks, Ann!

View From the Writer’s Desk

I didn't stare out the window too much today.

Getting out of the house helped today. I’ve been moldering within the first 50 pages of a revision for a few weeks now.

Let me clear: This isn’t a revision of the genteel sort. This is a massive overhaul. This is a rewrite, a restructuring, an upheaval.

Just now I cleared my way through the first 50, and through the next ten pages. I realized that I was stuck-ish (I never admit to writer’s block) because I’d softened my protagonist too much. We’re irrational creatures, we humans, with contradictory impulses and emotions that coexist especially in times of stress and grief. Anger and sadness, resentment and guilt. Inner conflict, need I say more?

Over on Murderati, Stephen Jay Schwartz discussed writing tight. Because, officially, the manuscript isn’t a first draft, I’ve been caught up in writing as lean as possible. Oddly enough, his post got me thinking that I need to liberate the manuscript, which is to say, treat it as a first draft all over again. The truth is that I still don’t feel sure enough about the upheaval to spend the extra time it takes to write tight.

I’ll write in all my wordy and expansive glory, and revise tight later.

Cover Art and Costco

Which book shall I buy?

Entering Costco, I felt like a real American, a bonafide overspending, gluttonous, credit-card-maxing member of my birth country, ready to pledge my allegiance to all that promises to raise my self-esteem and my sense of entitlement.

Be honest, doesn’t your common sense and fiscal rectitude recede when you enter a Costco warehouse? If you’re like me, a neural ball of me-wantsa-everything starts to pulse, and you find yourself strolling up and down the aisles with your oversized shopping cart, itching to oversize your life with five years worth of trash bags and enough wrapping paper to cover your walls. I often peruse other people’s carts, wondering what fabulous object I’ve missed. Could be the latest Keurig coffeemaker, or the fake-Ugg boots, or the cutesy tabbed-style chopping boards. I kid you not. Check them out right here.

After awhile the florescent lights coupled with quantitudinous excess send me into the consumer’s equivalent of insulin shock. Today was a prime example. Last night my nifty space heater almost fried the house down. Since I’d bought it at Costco many moons ago, I decided, Yes, I need this one thing, this is legit, this is okay. To further my needy resolve to partake of the — eh hem — American dream, I invited my 80-year-old mother to accompany me. This may seem strange, but getting her out of the house and walking around was a good deed. Really. (I am serious about that if nothing else in this post.) She doesn’t eat much anymore, so I also insisted that we stop at every, and mean every, food sampling.

I found a space heater, all right, but I also found a light box, a pound of shrimp (with cocktail sauce), a Brita water pitcher, a mongo-sized bottle of Neutrogena body bath, a — never mind — needless to say, I also found a book. While my mom jotted down the titles of books to check out of the library, I found my eye drawn to one book. This was a case of cover art successfully sucking me in. I’d never heard of CEMETERY GIRL’s author, but that stark white cover with the creepy, creeping branches about to take over the face? Love it! And the title too.

So hats off to the cover artist who managed to catch my glazed and by-then-headachy attention.

View From the Writer’s Desk

Kale: stir fry with ginger, soy, and garlic?

View: a little on the “meh” side this week.

I spent so much time staring out the window that I rearranged the physical view in hopes that my mental view would change. All week long I faced my laptop, but nothing much happened. I’m not sure why. No excuses here, but it got me wondering why it is that some weeks my output flows, and then others it fizzles to a barely discernable trickle.

It’s the weirdest thing. Nothing changed this week. No stressors. Ah, but perhaps that’s it. No stressors! Through last week I was gung-ho to finish a revision for an agent. I was PUMPED. The revision was a beautiful thing, and I knew to the core of my physical being that I was improving the manuscript. It just felt good, you know what I mean? I sent it off one week ago.

Then, this week — fizzle-city. I re-read where I’d left off on another revision, and after the headiness of my previous effort, this revision felt flat. Good news: I think I figured out what’s not right about it, thus far, which is a huge part of the battle. And I did get words down on paper — I did. Just not so much is all.

But, okay, in a fit of frustration I did buy the decorative kale you see in the image, and I did set piggy beside that sickly lily, poor thing. I kept pondering how to cook up kale, however. I like kale okay, but, come on now, not that much.

As a friend wrote in an email message this morning about her own window-staring: Taking a break, it seems.

Apparently, the brain wants what it wants at times, and no amount of striving and self-flaggelation on my part is going to change its stubborn mind. Hey, Brain, vacation’s over come Monday! Uhm, okay, pretty please?

FLOUNDERING | Indecisiveness Bringing Me Down

Which way should I go?

If decisiveness is the hallmark of a great leader, then I’m letting myself down in Writingland. I’m sitting here at my computer procrastinating — talk about being the queen of social networking. This kind of queenliness isn’t good for my fiction. This morning I handed over my sceptre to my flaky coregent, who should have abdicated long ago. Today, she reigns supreme first on Facebook, then on various fictionista blogs such as Murderati, The Lipstick Chronicles, and Jungle Red, and now, here, on my blog.

I simply can’t take her seriously at the moment. Off with her head!

Here’s what’s going on in the bigger picture of my fiction pseudo-career: For awhile now I’ve considered self-publishing because I’m getting no joy from the traditional route. I’ve been working hard (between one major bout of depression, one major bout of economic hardship, not to mention the day-job), folks, since 1999.

In the spring, I told myself to give the agent-hunting thing one more heavy push, and if nothing comes of it — that’s it, self-publish. I’ve revised my favorite unpublished novel, and I continue the agent process…

Meanwhile, here I am in Writingland, also known as the Land of Indecision, having handed over my power to the Queen of Procrastination. I take responsibility. I’m being foolish. I need to make a decision about what to work on RIGHT NOW.

I’ve been here before. My ailment is called between-project-itis. It’s an inflammation of the brain that causes me to flounder around for a few days — hopefully only for a few days — while I get my head around the notion of beginning something new. Picture me flopping around, like, say, that time in Hawaii when a wave floated me over a pretty coral bed, then retreated to leave me stranded atop said coral, frantic and splashing while my friends laughed at me (until they saw my bloody wounds — I still have scars on my legs)…

That’s me, flipping, flopping around in berserk fashion. I feel a pull in two directions at once, hence, my indecisiveness. It feels like I need to make a decision based on a career strategy, or some such thing, or else trust my gut…

1. Start a new novel that I developed last year. I’ve got the  major plot points, I’ve got the major characters. Will require what all first drafts require: tears and toil.

2. Revise an existing novel that I still feel has oodles of commercial potential. I now know how to revise it to amplify the potential. Will require major historical research.

I’m leaning toward the second option. I figure there’s no reason not to self-publish this novel while pursuing the traditional route with the other one. Right? Right. Did I just make a decision? (I can’t tell…honestly.)

BOUCHERCON | A Tale of Yearning from the Land of “If”

Who knows, maybe this guy will make it to Bouchercon someday.

Last year I attended Bouchercon, the mystery convention. But not this year. I thought I was okay with my decision until I popped into annoying Facebook — why oh why did I bother? — and noted how much fun everyone was having. I don’t know many of the publishing novelists having all the fun, yet I regressed to the mindset of a ten-year-old not invited to the popular girl’s sleepover.

This, even though I wasn’t a girl who pined for sleepovers. So I ask you, what the hell was my angst all about anyhow? Could I have been more immature, more childish, more silly?

The truth is that I yearn to be a member of the wider community of crime writers and known by at least a few of them for my writing. “Oh, Lisa Alber, yes,” Deborah Crombie might say. “Her debut novel is excellent.” Or from, say, Laura Lippman, “She got some buzz at BEA.” Or, from Louise Penny, “Haven’t read her novel yet, but it’s on my nightstand.”

That I don’t feel part of the larger community says too much about me, I guess. (Maybe I should look into therapy?) I’ve always strived for “As” — which is to say, external acknowledgment in return for my efforts. I don’t need much, but a few gnawed-on bones thrown in my direction would be nice; writing to the accolades of my inner critic and my friends and family isn’t enough.

Yesterday, I attended a lecture given by The Oregonian‘s book critic. On the return drive, a writer friend and I spoke about our futures in terms of “when,” not “if.” When we sell our first novels, when we have to start promoting ourselves…when, when, when…I felt fine (no Facebook!), and then…

My childishness resurfaced this morning as I peeked at a few fictionista blogs. There I went, bobbing back into the land of “if.” As in, “if only I went to the sleepover…,” as in “if only the damn novel would sell already…” One and all, the novelists who posted and who had attended Bouchercon professed to post-conference exhaustion. A good kind of exhausted, I’m sure. I remember boozing it up in the bar along with everyone else last year, watching the well-known authors greet each other with hugs. I eavesdropped on many a conversation about book tours, publication dates, agents, and publishers. Oh the fun! Even for me, the authorial voyeur. And man, I was exhausted just from absorbing it all.

I do love the writing process, don’t get me wrong. It’s just that my ten-year-old girl self won’t shut up. She still wants to be invited to the popular-girl sleepover (with boys, always with boys). This yearning of mine helps keep me motivated on the worst days. I don’t banish my ten-year-old self; I say to her, Hey, you, let’s keep chugging.

You never know, maybe next year I’ll show up  at Bouchercon with a book sale under my belt. A girl can yearn.

Plastic Surgery, Novel Style

Industrious bee...if only revision were as bloodless

I completed the most gruesomely delicious month of manuscript revision. I’d received feedback from an interested agent — the most simple and straightforward, beginner-ish feedback that I’d heard in a loooong time. Little did I know that I needed to hear it.

The agent said, I felt the manuscript slowed in the two chapters before the murder and got muddled. I also felt like I lost the voice a little bit, which was so strong in the earlier parts…I think if a scene or dialogue doesn’t serve to move the story forward, you should cut.

I read the two specified chapters while attempting to inhabit her point of view. Which is to say, with pure objectivity. Lo and behold, something clicked. A big ol’ whopping, humiliating, painful, Homer-head-slap DOHing, light flashing, baseball-bat wielding CLICK.

I ended up cutting half the text and combining the chapters, the whole time pondering the weirdness of the brain, or maybe my brain. I can’t tell you how many times I’d ransacked the manuscript. But it took a near stranger with an interest in sales potential over all else to inspire a fundamental shift.

With the fundamental shift in place, I cut, sliced and hacked the entire beloved but aggravating thing. In the process of carving away the fat, a couple of muscular plot ideas appeared, lean and mean and there all along. It was like magic, sharp-edged magic, but magic all the same.

Poor thing needs to heal for a week before I pull out my bloody revision implements once again. Maybe all it will need is a punch here and there. That would be good. Bruises heal faster than cuts…

Then we’ll see what wounds the agent has in store for it. Once the plastic surgery starts, does it ever end?

Saturday Night Date

I dressed up for my date tonight — a black top, funky skirt, vintage black cowboy boots, and shimmery lipstick. The Barbera is plummy and dense, yummy. My date is patient, forever waiting on me, ready when I’m ready, even when I’m not.

Yes, it’s Saturday night, and I’m on a date with my manuscript. We’ve been in a long-term, off-and-on again relationship since the year 2000. After the initial infatuation that turned into an all-consuming affair for over a year, we faltered. Frankly, I lost interest. I thought it wasn’t the one for me. Another manuscript came along, and I cheated. It was time to move on. Time to ditch the lost cause.

These many years later, I noticed myself feeling nostalgic. Was that the manuscript that got away? I decided to go into counseling with the manuscript; my readers have helped me tremendously. Sometimes, you just need a new perspective. And let’s be honest, it’s not the manuscript’s fault it didn’t meet my expectations.

Sometimes, as we all know, it’s about timing. The timing feels good now. I’m in a better place craft-wise, and now I get the manuscript. It may need a massive restructuring, it may still cause me woe, but I’m going to give it another go.

So, I’m here in this chic bistro with my wine, ready to iron out an issue that I didn’t know was brewing until my readers pointed out one of my manuscript’s many flaws. Don’t you hate it when your friends, with the best of intentions, only notice the weaknesses? Here you are, trying to love on a manuscript, and you’ve got these nay-sayers giving you grief. The problem is, when they’re right, they’re right.

So, manuscript and I, we’re going to have a little discussion. Sometimes wine helps.