5 Things I Learned at the Willamette Writers Conference

In the pitch practice room. Nerves galore.
In the pitch practice room. Nerves galore.

Last weekend I volunteered at the Willamette Writers Conference. I attended as an author rather than as a writer trying to snag the attention of a literary agent. Off the hook! But man, did I feel the miasma of desperation that hung over the place. I just looked up “miasma” … “a heavy vaporous emanation or atmosphere” and “a contagious power that has an independent life of its own.” Yep. That was about it.

I waded through the miasma into the pitch-practice room, where the vaporous contagion thickened with dreams upon dreams upon dreams colliding into each other as twitchy writers readied themselves to meet their makers literary agents.

What a relief to be on the other side of the pitch-practice table, helping the twitchy-eyed!

What I learned on the other side of the table:

1. Despite the fact that I don’t know much of anything, come to find out that I do. I don’t retain facts. You ask me to talk in bullet points about the three basic elements of a pitch, and my mind will go blank. Yet, when I sat with the amped-up budding authors, I entered into a state of recognition. As they talked, I recognized what felt wrong about their pitches and what felt right. I’d put up a hand, interrupt them, “Right there! That’s your hook! Start with that. The rest is backstory, and the agent won’t care.” I surprised myself. I do know stuff, and I can help people out, and that felt great.

2. Forget Twitter and Facebook, apparently Google+ will endow us with super-duper powers of self-promotion. Yeah, didn’t get this…In fact, my head spun during sessions about nifty topics such as platform-building, tactical social engagement, and advanced keyword searches. The self-proclaimed web warrior guy (he knew his stuff…but oh. my. god) told us that to do it right we needed to spend hours a day online. SO WHEN ARE WE SUPPOSED TO WRITE, BUDDY?

3. So the thing about Google+? We’re supposed to be over there because when we’re using it, our posts automatically rise to the top of Google searches. Something like that anyhow. I think. See Martin Shervington on YouTube for more information. <shrug> I’m still getting the hang of Twitter.

4. Use a book landing page. One of the presenters discussed an experiment he performed. He had an Amazon book page, and he also had a dedicated book page on his website with a link to the Amazon page. He found that when he sent people to his dedicated page (say from Twitter, Facebook, a blog post, or a Facebook ad) rather than directly to the Amazon page, he was twice as likely to sell a copy of his book. Interesting, right? His theory was that Amazon is dedicated to selling anything–it doesn’t care whether it’s a “Dance the Macarena” VHS tape or your book–but your book landing page is you and only you, baby.

I'll remember this next year.
I’ll remember this next year.

5. Last but not least, never leave home without your cajun spices. No one expects five-star food at a conference, but come on, Airport Sheraton, you could have done better than that! The food was–ready for another great word?–inexecrable (“deserving of being cursed”). Evan Lewis, an old-hand in the pitch-practice room (not to mention a fab short story writer) brought his cajun spice with him. Bland, runny scrambled eggs made from an egg-like liquid product? Cajun spice! Vegetables drowning in a suspicious-looking “cream” sauce? Cajun spice!

I had fun. Just that. It’s grand being on the other side of the table–and with KILMOON debut novel postcards too!

Thinking About Self-Publishing

She used Llumina Press to produce the novel.
She used Llumina Press to produce the novel.

I haven’t mentioned Mr. M in a long while. He’s a writing buddy, and he recently told me that he’s decided to consider self-publishing. I’m almost hoping he will go that route so I can see what it’s like from one-step removed. Mr. M, the guinea pig!

Anyone could get sick of slogging through the muddy land of traditional publishing, right? I haven’t given up, but today, I decided to ponder self-publishing along with Mr. M. We went to a meeting of the Northwest Association of Book Publishers to listen to a novelist, Linda Kuhlmann, talk about marketing for self-published authors.

And you know what? I don’t think I could hack it! Kuhlmann’s always carting around promo copies and every trip, no matter how small, how casual, is an opportunity to check-in with local bookstores, visit area libraries, and scout out possible events. She’s got spreadsheets (there’s that word again!) and “Autographed copy” labels that she made herself. (Actually, I was impressed: Avery labels come in shiny gold–who knew?)

She’s so on top of self-marketing that she’s practically a professional speaker now.

I’m serious, I don’t know if I could hack that. I know we novelists have to self-promote–I get that–but I dream of having a support system behind me even if it’s one harried publicist with minimal time to deal with my book because she has the likes of John Grisham and Danielle Steel to oversee.

And who do I think I’m kidding anyhow? During the networking portion of the meeting (immediately I’m thinking: yee gads), a freelance editor asked me what I write. Novels, I replied. She cocked her head, eyebrows raised. Getting nothing out of me, she jutted her head forward a little, opened her eyes wider. Such expectation.

But I choked. Given the chance to excite someone about my novel, I inevitably clam up. Uh uh uh. I know the novel backwards and forwards but rally around it in a couple of sentences, off the cuff? Hah!

That was an ARGH of a moment, truly. Because despite what I tell myself, in the reality of self-promotion, anytime and anywhere is the perfect time and place to talk about my opus. That’s what it’s all about.

I was exhausted by the end of the meeting, but I left with three conclusions:

1. There are plenty of resources out there for self-publishing novelists. I was impressed with the group at the meeting. I might have even met my future website designer!

2. I need to join Toastmasters (again, yee gads) because today’s novelist is doomed to have to speak in public. Unless you’re Cormac McCarthy, of course.

3. I need to come up with two, just two, novel summary sentences and practice them in front of the mirror until they roll out naturally. I mean come on, how hard could that be?

One Year Later

fruitNovelist DeAnna Cameron was kind enough to remind me that I’ve hit my year anniversary as a blogger. Yow! How did that happen? And here I thought I’d peter out, or, if not that, get bored with yammering into a void.

To be honest, I started this blog to ease my introverted tooshy into the public sphere. I’m notoriously private — maybe even secretive by nature — which makes writing a challenge in many ways. This blog was my start because, you see, my manuscript was juicy-delicious indeed. Of course an editor would bite — of course.

My agent had just started shopping my novel around New York. This blog was my first foray into the world of self-promotion. Me, practising how to talk about myself. I figured by the time the novel was published, I’d also know how to tap into this great virtual sphere o’ influence.

I had it all figured out. I’d be the star of The Lisa Show, ready to comfortably tout my debut novel. I was in a positive frame of mind. Events were flowing my way. Excitement.

Now, fast forward one year to right this second. How am I feeling? Honestly? You really want to know? Let’s call it “dejuiced.”

My consolation is that blogging has turned out to be its own reward, never mind the business considerations. Who knew blogging would be fun? Who knew I’d “meet” cool folks and care about their journeys?

Strange, maybe even paradoxical, as this sounds, writing into the void lessens my sense of isolation. Virtual-schmirtual, I’ve found a worthwhile community to accompany me on my journey. The void isn’t a void anymore.

What Debut Novelist Patricia Wood Had to Say

Patricia Wood’s novel, Lottery, is a quiet novel with a high-concept that caused agents and then publishers to compete for it. Since publication, the novel has sold steadily in hardover (unusual) and is now selling well in trade paperback. It’s one of those word-of-mouth wonders we sometimes hear about.

Wood’s concept: What if a mentally challenged man won the lottery?

Grabs, doesn’t it? And it got me thinking that the “high-concept” concept doesn’t only apply to commercial fiction.

Debut novelists on book tours are a relatively rare event these days, and even more rare is a paperback book tour, so I was curious about how her reading would differ from the likes of Phillip Margolin and David Guterson. There were less than 10 of us, but everyone except me had already read the novel. Ms. Wood was an energetic self-promoter, inviting random book browsers to sit down and have a listen.

Unlike the seasoned novelists I’ve seen recently, Ms. Wood didn’t talk much about craft or process. I got the impression that she was so pumped by her extraordinary, maybe even surprising, success after years of unpublished toil that she wanted to talk about that instead. (I probably would, too, come to think of it.)

Some highlights:

1. What else could prop up hardcover sales besides word-of-mouth? It probably didn’t hurt that Lottery was short-listed for England’s Orange Prize and that actress Sarah Michelle Gellar bought the film rights.

The Internet is a strange, strange world. Apparently, the purchased film rights appeared as a factoid on a website somewhere, and Buffy-the-Vampire-Slayer fans everywhere sought out the novel.

2. Self-promotion: She handed out novel business cards in hopes we would pass them on and also signed bookplates to stick into our books. She participates in two or three book clubs a week via iChat or speaker phone (or are those the same thing?).

3. Lottery is her fourth written novel. Another example of patience and perseverence. Her first, second, and third written novels will be her third, fourth, and fifth published novels.

4. And she accumulated about 90 rejections with those first three novels! Patience and perseverence indeed!

5.  Where did her novel idea come from? She woke up early one morning with a voice in her head and this first sentence: My name is Perry L. Crandall and I am not retarded. She wrote the prologue immediately, and it didn’t change much from first draft to published version.

What interested me is that her idea came out of her life — it wasn’t as random as a dream voice telling her to write it down. First, she’s well-versed in disability issues through her graduate school studies and advocacy work. Second, her father won the Washington state lottery back in the 90s. Two distinct areas of her life melded themselves into a pleasing story idea. Gotta love the subconsious mind.

6. Best quote: “Writers are socially acceptable schizophrenics.” I and I and I are down with this observation!

Friday ‘Fess Up + Four = Friday Five #2

(What is this? A combination of two Friday memes: the literate kitten’s invitation to ‘fess up to our crimes and misdemeanors against our writing efforts and a “friday five,” in which we list five random things about our week…)

 

1. ‘Fessing up: I had an excellent writing day, and now I deserve to play in the long-awaited warmth and sunshine.

Yesterday I wrote six pages; today also. But yesterday was only a good writing day relative to today’s excellent writing day. What makes the difference? Flow. Just flow. Today the words fell out relatively easily (it’s only a little after noon!), whereas yesteday I spent a semi-tortured day at my desk. I didn’t complete my pages until 3:30 p.m. 

Today was fun for the writing because I have a character, Malcolm, who is such a wad. I love writing his scenes. I managed 21 new pages this week.

2. Follow-up on yesterday’s mood: An excellent writing day always helps, doesn’t it? Plus, getting out of the house with friends last night. Plus, the kind comments I received. Plus, a new day. I can still hear the low-grade muttering as I write this — no doubting that — but the sun is also shining.

Besides laying down sentences, I’m still wondering what else I can do to help myself, something concrete that will give me a sense that I’m moving forward…

3. About forgetfulness: This week I was in a pretty good fictional space, and as a result I kept forgetting to buy a new stick of deoderant. No, I’m not stinky; what I am, is a woman hand-rubbing deoderant crumbs against her skin. Never fails, I realize I’ve reached the end of my deoderant when the last bit falls out of the tube and breaks into pieces on the counter. Usually, I’m quicker to buy a new stick, however.

4. Something that maddened me: Overheard at a cafe, a women mourning the fact that her parents, who worked long and hard to retire early, were forced back to work (in their early 60s!) because they could no longer afford their health insurance premiums. ‘Nuff said.

5. Photo of the week: I suppose I am doing something concrete besides the writing itself. That’s my bulletin board and that’s my repository for all self-promotion, publicity, and marketing ideas I come across. Ready for when the time comes (there she is, my inner cheerleader)!

Speaking of self-promotion, DeAnna Cameron’s latest how-did-you-find-your-audience interview mentioned something especially interesting. Dora Levy Mossanen, the interviewee, started connecting with booksellers and freelance publicity folks before her first novel sold. My inquiring mind wants to know: How do you approach booksellers under those circumstances? I’m thinking she might have some natural networking skills…