Channeling Novelist Diana Abu-Jaber

Current mood: prickly
Current mood: prickly

I’m highly frustrated right now. I’m supposed to be having fun, experimenting, if you will, with a thriller-ish kind of story so I can improve my plotting and pacing skills. Well this you-know-what’s hard!

I feel like I don’t know anything anymore. Maybe I haven’t mastered as much writing craft as I thought, and I’m telling you, I’m about to throw this lousy thing out, give up, go back to wallowing in all my bad writing habits because at least I was having fun.

It’s interesting because by concentrating on plot/pacing, character automatically takes a backseat. I’m a character gal. I get all inside their heads, so looking at story from a different perspective is whacking out my brain. And I know I might receive comments that both character and plot are important. But of course — but, you see, I’m focusing on plot right now.

I’m reminded of novelist Diana Abu-Jaber. She’s one of those gorgeous, plotless writers. Her prose is full of every kind of sensory description, especially when it comes to food. Crescent is one of my favorite novels simply for its loveliness.

A few years back I heard her speak at a literary festival. She’d recently come out with a — GASP! — mystery. Yee gads. This fascinated me. I read the novel beforehand, and the gorgeous writing was still there (so it was a literary mystery), but so was the suspense. That is to say: the plot.

Here’s what she had to say about her genre switch:

“If you want to learn plot, write a thriller or a mystery.”

“I really needed to get me one to those things — a plot.”

She said she started out with a snobbish attitude, like it would be so easy — it’s just a mystery, right? She tried everything, and her editor kept sending back the manuscript with notes like, “Make it better.” She had to learn how to plant clues, build suspense, and create a great villain. She said that at one point her editor reminded her that we’re not supposed to know who the villain is until the end of the story. She said it was HARD and that now she has the utmost respect for thriller/mystery writers.

From a craft perspective, she started over. But she did it. And if she can do it, so can I. So now I’m channeling Diana Abu-Jaber in hopes that some of her patience will rub off on me. Because I am losing patience. With myself, with the process, with the story itself…sigh…

Monkey Mind Monday

Maybe less bossy would be better...
Maybe less bossy would be better...

I wrestled with whether to reveal the depths of my neuroticism on this blog and decided that monkey mind comes with my writing life. I’d like to think I’m not the only one who suffers from this silly malady.

Earlier today, monkey mind went something like this:

After a decade practicing the writing craft, I apparently STILL don’t know how to begin a story. If I haven’t mastered this by now, I probably never will master it. So maybe I should quit. I mean what’s the point, right? Why put myself through this suffering? But then what will I do? What am I good for in this life? I can’t do anything, really…

Ad nauseum. (I’ve always loved the way that phrase reminds me of the word “nauseated.”)

Monkey mind trigger? Last night I received feedback on my prologue. Actually, two prologues. Because I’ve always had trouble with beginnings, I turned in two and received much food for thought from my workshop instructor.

Unfortunately, after sleeping on it, I realized that I’ve been hearing the same feedback themes for years now, with every workshop, with every first scene. Haven’t I learned anything!?!??!

You can see how from this thought, I eventually ended up wondering if I should quit altogether. This is normal, right?

In the midst of all this neuroticism, I found myself pulling feedback from previous workshops out of my desk and placing them in a manila folder. In the future, I will peruse the feedback in this folder to remind myself what to watch out for as I start a new novel.

Action speaks louder than monkey mind, eh? Apparently, I’m not quitting yet.

I Swear I’m Working!

I call  this doing the Hemingway.
I call this doing the Hemingway.

Need I say anything more on a glorious TGIF afternoon, lounging in my favorite open-air bistro, Capitol Hill Coffee House, and starting the development process for Act II?

Floating out there beyond the headlights awaits the plot point that signals the end of Act II. I know where I’m going, just need to get a handle on the scenes that get me from here to there.

Admittedly, this kind of planning work isn’t my strength. A nice little Chilean Merlot helps though!

Can we just go home now?
Can we just go home now?

Writer, Author, Student

The Fabulous Four: my book group
The Fabulous Four: my book group

I passed a quiet weekend with my writing. This morning, it occured to me that I experienced my writer’s life from three distinct vantage points.

As Lisa the Writer, I, as you might expect, wrote. In fact, on Saturday I officially finished Act I of the new novel. I call it a step in the right direction that I wrote toward the first dramatic point, instead of winging my way toward it.

As Lisa the Author, I received a sweet surprise from my book group. After discussing Sue Milller’s The Senator’s Wife, my friends thrilled me to pieces by pulling out the Elizabeth George anthology that contains one of my short stories. They’d bought copies and insisted I autograph them–oh my! I was tickled to pieces, and, of course, froze up at the thought of signing the books. What was I supposed to write?

I wrote personal bits to them, but this fun experience got me thinking about practicing my signature and about coming up the quick autograph statement. “Enjoy!” is a common one. “Best thoughts!” “With every good wish!”

It’s fun to dream.

As Lisa the Student, I began a 10-week writing workshop. A writing buddy happened to mention the class, and within five minutes I railroaded him into emailng the instructor for the both of us (since we were at a coffeehouse and he had his Mac). We nabbed the last two spots. The author, April Henry, is a NYT bestseller who writes thrillers; and the class focuses on suspense, mystery, thriller, crime; and since I need to amp up my plotting and pacing skills; and since I’m starting something new…Serendipity!

Today’s Friday?

Current mood: industrious
Current mood: industrious

I call it a dandy sign that I turned down dinner with friends tonight. It’s not that I’m pathetic or antisocial, it’s that I floated around in fiction mode all week, lost track of the days, and figured tomorrow for another weekday.

Has that ever happened to you?

I also forgot that my book group is meeting on Sunday to discuss The Senator’s Wife by Sue Milller. I haven’t started the book yet…

All this forgetfulness is fine by me; it means I’m finally immersed in a long fiction project. I’m a little fearful that the next round of work deadlines (started to heat up this week) will derail me from the writing. I need to figure that one out, for sure.

But, meanwhile, working from home, you’d think the weekend distinction wouldn’t matter, but the notion is instilled into my hardwiring. Usually anyhow. Since I already declined a dinner out, I’m pretending tonight’s a typical Thursday night, or maybe Wednesday. I’ll start the next scene tonight before bed and continue it tomorrow morning.

Silly sidenote: What am I doing as I write this post, specifically this sentence at exactly 9:42 p.m.? I’m watching the new Melrose Place pilot episode! Yee gads, I know, I know! So far, this episode features murder, bribery, cougar action, adultery, financial ruin, a shaky marriage proposal, sexual proposals (for $$s), and depraved ambition. Maybe I am a little pathetic and antisocial, after all?

(P.S. Was the old Melrose Place that I watched with addictive glee as silly as this one?)

My Messy Office

Is there a desk under there?
Is there a desk under there?

Just finished writing a short scene, and was about to start the next, when I made the mistake of gazing around my inner sanctum. Bad mistake — now I’m distracted by the mess. Over the past few weeks I’ve accomplished new heights of domestic godliness in all rooms except this one. I scrubbed, dusted, organized, vacuumed, and even carpet-cleaned. (Yes, I rented an actual machine.)

Except for the rugs, my industrious spurt did not extend to the office. The cleaning task is a burning imperative at this point. Unfortunately, I’m intimidated by my paper piles. Too many of them, and — I cheated! —

Sacrilege! A migrated paper pile atop my beloved dictionary!
Sacrilege! A migrated paper pile atop my beloved dictionary!

some of them migrated here from other rooms during the Big Clean.

Nothing to do but take my laptop to a coffeehouse, I think. This IS a holiday weekend, after all.

How many old manuscripts do I need, anyhow?
How many old manuscripts do I need, anyhow?
And while I'm at it, I'd better dust too...
And while I'm at it, I'd better dust too...

Started the New Novel!

Current mood: content
Current mood: content

And it wasn’t as traumatic as all that. In fact, it felt natural, and as soon as I began writing, my anxiety drained away. Finished the first scene, and I’m okay with it for now. Gets me started.

However, I can’t help but wonder if I’ll ever be able to write “fast.” As in fast-paced…One of the things I’m doing differently this time is concentrating on suspense. As in, I’m going to write a suspense novel. I’m going to focus on pacing and plot. I’m going to have fun with it.

So, what do I do? Write a first scene that’s kinda quiet. I couldn’t write one of those wham-bam novels if I tried. And I am trying…I re-read the scene several times, feeling the usual self-doubt, but still overall, pleased at having started.

One thing I know about myself: I think symbolically, so without realizing it or particularly trying, I’ll have described something in the setting — for example, Christmas lights — and I’ll have described these lights in a way that illustrates my character’s mood, and then maybe a string flickers out, furthering the mood, inciting the character to reflect (but not for too long) on something…

Does that sound fast-paced to you?

Definitely not wham-bam, but, on the other hand, did I accomplish my first-scene goals? Grab quickly? Introduce an intriguing main character in conflict? End on an open-ended note? Introduce elements that will echo later?

I think so — I hope so. I guess we’ll see!

Lesson of the day: Accept my writing style while improving on my weaknesses.

I Get Scared

Current status: Story spinning okay
Current status: Story spinning okay

I’ve been working on a new novel idea, and I’m doing it differently this time. (Hopefully I’ll elaborate on that soon.) At the moment, I’m a little scared. Do you get scared right before you begin your first scene?

I’m so anxious, my chest wall presses up against my sternum. It’s a little tight in there, like maybe my ribs have morphed into squeezing tentacles. A friend reminded me to have fun with this new story. But I’m still taking it all too seriously, probably because I want this fiction-thing to work out. I’ve been disappointed over the last year. Losing agent, languishing finished manuscripts, writing grant fini and day-job sucking at my creative marrow…

I can’t avoid the writing forever — and by avoidance I mean engaging in endless story-development exercises — because at some point the head of steam compels me to set words on paper. I feel uncomfortable and itchy, just gotta start. I’m at the teetering point now. I’ve been here before. The discomfort is familiar, and I’m thankful for that. I’ve worked through it before and will work through it now. 

This discomfort in a good sign. The story has almost completed its initial gestation period.

This discomfort differs from that I felt at the beginning of the summer, when I thought I’d never have another story idea. Now that’s the truly scary place! Glad I’m past that.

Rethinking This Blog

After another fun day.
After another fun day.

Current status: After a week’s vacation visiting nephews, relaxed for the moment.

I may not be here on the page, but I ponder my blog often. I think to myself: Ah, I should write about that. Or: That would be a good blog post. But then, I don’t get around to writing the new posts. Instead, I jot a list of the posts I will write. Something like this:

Library
Cultivating creativity
Taking stock

Fledgling Jedi masters
Fledgling Jedi masters

Hmm…Now I don’t remember what I was going to write. I’ve led myself into a blog-tangle, as if my posts need to be deep or significant — and include an appropriate photo, too. I’ve complicated the process.

Silly.

So, I’m going to try a new blogging method: Shorter posts (hear these are better anyhow, for readability), not necessarily with an image. Reminder to self: This blog is about the trials and tribulations of my writing life. Most of the time, these trials and these tribulations aren’t deep or significant. They’re the daily blips that I imagine are typical of most fictionistas.

But hey, look what I just did–wrote a mini-essay about shortening my posts…And, included photos, too!

My (Little) Taste of the Big-Time

Only one more left!
Only one more left!

On Friday night, C, K, and I went to a movie. It being C’s birthday, and because this was a girly-friend custom, C picked the movie (a creepy one, also a custom), which we ambled toward after happy-hour drinks and a little shopping.

It just so happened that we passed a Barnes & Noble on our way to the theatre. C and K were too cute, wanting to check out the anthology I’ve mentioned many times already (can’t get enough of it!) in its natural habitat.

I need to practice my signature -- this is the wobbly version
I need to practice my signature -- this is the wobbly version

Admittedly, I hadn’t thought to do this yet, so their enthusiasm grabbed me up too. We perused the “New Mystery” section, but, alas, we saw no sign of the anthology. We asked the information-desk lady, and she comfirmed that they had one copy left.

But where was this lone copy of TWO OF THE DEADLIEST? Answer: Up front on the “New Fiction” table! Too cool! I probably wouldn’t have said anything because of my horrifyingly dismal shameless-self-promotion skills, but K mentioned that I was a contributor.

And here’s where the little taste of the big-time comes in: Information-desk lady let me sign that lone book, and afterwards she slapped an “Autographed Copy” sticker on it!

Is that shameless enough?
Is that shameless enough?

I felt like a teeny, tiny star on the fiction horizon as C and K pulled out their cell phones to snap pictures of me and the book. We giggled like fiends, and the security guard watched us with a knowing smile. He’d lent me the pen I used to sign my story. I’m sure he’s seen local authors before, but this was a first for me!

Later, in the theatre’s bathroom, I called over the stalls to C and K: “If that isn’t enough to inspire me to get on with the next project, I don’t know what is.”

Maybe, just maybe, stuff’s starting to percolate again. Maybe, just maybe.